ITEM OVERVIEW
In his first collection of essays, David Levi Strauss addresses the always conflicted relation between aesthetics and politics by concentrating on specific instances—from allopathic art to Desert Storm propaganda, from Columbus's legacy to Robert Smithson's prophecies, and from new art in post-Soviet Russia to public art in the United States—and by focusing on the work of various artists such as Grunewald, Jean Genet, Cindy Sherman, Joseph Beuys and Andy Warhol, Jean-Luc Goddard and Anne-Marie Mieville, Carolee Schneemann, Andrei Monastyrsky, and Daniel Joseph Martinez.
"In these fierce and lyrical essays, Strauss calls for an art—and implicitly for an approach to art writing—that is passionately experiential, intellectually grounded, and politically fearless. Anyone looking for a space of cultural possibility in this moment of complicity and collusion should start here." —Michael Brenson
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